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Middlehope

Artistes  >  Other  >  R  >  Rebecca Martin


Middlehope

 

YEAR  2002

NOTATION DU CD

ACHETER CE CD    ( $16.98 )

PISTES DU CD

  = telechargement musique  ecouter chanson  = ecouter chanson     = sonnerie     = video clip     = paroles
1 A Fine Spring Morning Rebecca Martin A Fine Spring Morning mp3
2 Bewitched, Bothered and Bewildered Rebecca Martin Bewitched, Bothered and Bewildered mp3
3 Dindi Rebecca Martin Dindi mp3
4 How Do You Say auf Wiedersehn? Rebecca Martin How Do You Say auf Wiedersehn? mp3
5 One Flight Down Rebecca Martin One Flight Down mp3
6 Ridin' High Rebecca Martin Ridin' High mp3
7 The Midnight Sun Rebecca Martin The Midnight Sun mp3
8 The Sweetest Sounds Rebecca Martin The Sweetest Sounds mp3
9 Then a Wall Came Up Inside Me Rebecca Martin Then a Wall Came Up Inside Me mp3
10 Where Is Love? Rebecca Martin Where Is Love? mp3

OPINION SUR LE CD

      Rebecca Martin's Middlehope starts out as a quirky collection of jazz ballads. But about halfway through, the vocalist turns her attention to two pop/rock-oriented songs by Jesse Harris, who happens to be one of Norah Jones' main songwriters. In fact, the second of these two, "One Flight Down," appears on Jones' debut disc, Come Away With Me. Martin and Jones do seem to share a fondness for the contemporary singer/songwriter aesthetic, but Martin is more of a jazzer; her world-weary drawl gives a lift to old tunes like "Bewitched," "The Sweetest Sounds," "Dindi," and Johnny Mercer's "How Do You Say Auf Wiedersehn." Martin's band includes husband/bassist Larry Grenadier, drummer Jorge Rossy, and tenor saxophonist Bill McHenry, but the album's truly defining sound is created by guitarists Kurt Rosenwinkel and Steve Cardenas, a twosome who has graced ensembles led by Paul Motian and Marc Johnson. (They're pretty easy to tell apart; Rosenwinkel takes most of the solos.) Without any other accompaniment, the guitarists frame a particularly vulnerable performance by Martin on the closing "Where Is Love," weaving together shimmering, intersecting lines that obliquely define each unfolding harmony.

      The band communicates with utmost sensitivity on "A Fine Spring Morning," which is played entirely rubato. And McHenry beautifully shadows the chromatic descending lines of "Midnight Sun" with carefully chosen harmonies. He also sings (who knew?) on "Dindi," doubling the tender melody an octave below Martin. Highly recommended. ~ David R. Adler, All Music Guide

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