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Own & Own

Artists  >  Country  >  H  >  Butch Hancock


Own & Own

 

YEAR  1989

ALBUM RATING

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TRACKLIST

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1 1981: A Spare Odyssey Butch Hancock 1981: A Spare Odyssey mp3
2 Diamond Hill Butch Hancock Diamond Hill mp3
3 Dry Land Farm Butch Hancock Dry Land Farm mp3
4 Firewater (Seeks Its Own Level) Butch Hancock Firewater (Seeks Its Own Level) mp3
5 Fools Fall in Love Butch Hancock Fools Fall in Love mp3
6 Horseflies Butch Hancock Horseflies mp3
7 If You Were a Bluebird Butch Hancock If You Were a Bluebird mp3
8 Just a Storm Butch Hancock Just a Storm mp3
9 Just Tell Me That Butch Hancock Just Tell Me That mp3
10 Like a Kiss on the Mouth Butch Hancock Like a Kiss on the Mouth mp3
11 Own & Own Butch Hancock Own & Own mp3
12 Tell Me What You Want to Know Butch Hancock Tell Me What You Want to Know mp3
13 The Ghost of Give-and-Take Avenue Butch Hancock The Ghost of Give-and-Take Avenue mp3
14 West Texas Waltz Butch Hancock West Texas Waltz mp3
15 When Will You Hold Me Again Butch Hancock When Will You Hold Me Again mp3
16 Wind's Dominion Butch Hancock Wind's Dominion mp3
17 Yella Rose Butch Hancock Yella Rose mp3

ALBUM REVIEW

      Critics are fond of saying that an artist like Butch Hancock deserves more attention. Hancock, however, never seemed to worry too much about who was listening. At least he didn't until the late '80s, when he allowed Sugar Hill to reissue some of his older material, originally only available on his own small Texas record label. While Own & Own didn't make Hancock a country-folk star, it did give a number of people a chance to find out just how good this eccentric songwriter from Lubbock really was. Drawn from his debut in 1978, "Dry Land Farm" and "West Texas Waltz" show that his Dylan-esque vocals and love of wordplay were born in full from the very start.

      The spare accompaniment, just acoustic guitar and harmonica, seems to reflect the dry, dusty land he sings about. While the stripped-down production would eventually give way to the roots rock of "Firewater" and the country duets with Marce Lacoutre on "Yellow Rose" and "Like a Kiss on the Mouth," Hancock's basic approach remained the same. The only material that really doesn't work here are the last four cuts, recorded in 1989, the same year as the album's release. The lyrics seem forced and the crunchier guitar raises the noise level, meaning that the two main reasons listeners enjoy Hancock, his clever words and spare country-folk sound, are mysteriously missing.

      Overall, though, Own & Own offers a good place to sample the peculiar songs of one of the most peculiar songwriters ever to wonder the dusty Texas plains. ~ Ronnie D. Lankford, Jr., All Music Guide

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